baptist revival hymns


The cadence of the last tune gave the refrain line a melting effect: Some of the spirit of this old tune (in the few hymnals where the hymn is now printed) is preserved in Geo. They opened heaven to thousands who are now rejoicing there. In 1801 he revisited that region on a curious errand.
Among those still in use are --. The Bible Presbyterian Church of Singapore released this hymnal in 1970, using selections from 12 other hymnals: It looks like you are using an ad-blocker. *For orders of 50 or more copies of Songs & Hymns of Revival, please call 408.988.8881 to place your order. Was one of the stimulating melodies of the old-time awakenings, which were simply airs, and were sung unisonously. This parting piece was sung in religious meetings as a hymn, like the other once so common, but later, --, "When shall we meet again,Meet ne'er to sever?". If any attempt was ever made to print the song[22] the singers had little need to read the music. Abraham Dow Merrill, the author of the music to this triumphal death-song, was born in Salem, N.H., 1796, and died April 29, 1878.

Another (and probably earlier) tune sung to the same words is credited to "S. Arnold," and appears to have been composed about 1790. )Here may we all meet again. "The Puritans took their pleasures seriously," and this did not cease to be true till at least two hundred years after the Pilgrims landed or Boston was founded. Henry Hart Milman, generally known as Dean Milman, was born in 1791, and was educated at Oxford. The above "hand-shaking" ditty at the altar gatherings apparently took its tune self-made, inspired in its first singer's soul by the feeling of the moment -- and the strain was so simple that the convert could join in at once and chant --, -- through all the loving rotations of the crude hymn-tune. He published at least two collections, The Oriental Harmony, in 1802, and The Northern Harmony, in 1805. -- Doddridge.O how happy are they who the Saviour obey. Both are anonymous. The maker of this hymn has been confounded with the maker of its tune -- partly, perhaps, from the fact that the real composer of the tune also wrote hymns. It appeared as early as 1805.]. The songs of the great revival of 1740 swept the country with positive rather than negative music. Elder John Leland, born in Grafton, Mass., 1754, was not only a strenuous personality in the Baptist denomination, but was well known everywhere in New England, and, in fact, his preaching trip to Washington (1801) with the "Cheshire Cheese" made his fame national. Praise Him! He was unlearned in the technics of the schools, but always eloquent and armed with ready wit; unpolished, but poetical as a Hebrew prophet and as terrible in his treatment of sin. [26], [Footnote 26: Montgomery's poem, "The Stranger," has seven stanzas.
The following, from the early years of the last century, is apparently the first, certainly the only surviving, effort of a converted but half-educated red man to utter his thoughts in pious metre.

The full harmony is found in the American Vocalist, and the air is reprinted in the Revivalist (1868). Was a common old-time piece sure to be heard at every religious rally, and every one present, saint and sinner, had it by heart, or at least the chorus of it --. Scoffers and "hoodlums" who interrupted him in his meetings never interrupted him but once. For more than a century his hymns have lived and been loved in all the English-speaking world. Awaked by Sinai's awful sound,My soul in bonds of guilt I found,And knew not where to go,Eternal truth did loud proclaim"The sinner must be born again.Or sink in endless woe.".

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