Many Portuguese dances are long-established celebrations of seasonal festivals, including fall harvest and the beginning of spring, and commemorations of religious events.
It was not long before there was a Huelva, the version of the Fandango in the city of Huelva, and the Málaga, the version in the city of Malaga. Spanish Painting from XIV to XVIII Centuries. Local and national dances have drawn from pagan and Christian traditions equally. Although Spanish in origin, Fandango is one of the main folk dances in Portugal.
Today it’s a revered folk dance in Spain as well as Portugal. Originally the Fandango was notated in 6/8 but later it came to be written in 3/8 and 3/4, the same as the Bolero. The meter of fandango is similar to that of the bolero and seguidilla. [citation needed], Italian composer Domenico Scarlatti, who was influenced by Iberian folk music, had several passages reminiscents of fandango, such as in his keyboard sonata K. 492 (1756) which has been called "Fandango portugués". By the late 18th century it had become fashionable among the aristocracy and was often included in tonadillas, zarzuelas, ballets and operas, not only in Spain, but also elsewhere in Europe. For other uses, see, Musical form and a music genre typical of Spain and parts of Latin America, ‘La jota y el fandango’, La correspondencia musical, iv/198 (1884), 2–3, Learn how and when to remove this template message, Hispanic-influenced music in the Philippines, https://en.wikipedia.org/w/index.php?title=Fandango&oldid=978573971, Articles lacking in-text citations from May 2012, Wikipedia articles needing clarification from November 2019, Articles with unsourced statements from February 2019, Articles needing additional references from May 2019, All articles needing additional references, Creative Commons Attribution-ShareAlike License, Diccionario de la lengva castellana (Madrid, 1726–37/R1963 as Diccionario de autoridades) [pubn of the Real Academia Español], P. Minguet e Irol: Breve tratado de los pasos de danzar a la española que hoy se estilan en seguidillas, fandangos y otros tañidos (Madrid, 1760, 2/1764), F. M. López: : Variaciones al Minuet afandangado (late 18th century) E-Mn M.1742), ff. While one of the dancers dances, the other just "goes along". Northern areas such as the Principality of Asturias, the Basque Country and Castile and León have preserved a more relaxed performance. Occasionally the first verse is repeated. The current 34 pattern of the fandango, its distinctive progression (i–iv–V) lyrics with octosyllabic verses and the use of castanets and guitars are well-documented from the 18th century.
The Fandango also has a counterpart in Portugal where it is considered to be one of the Portuguese's most important folk dances as well.
However, experts of the Fandango are in disagreement over the dance's true origins. Other says that the Fandango could be of a Moorish background whereas others believe that it could be derived from dances in Latin America and the West Indies. 'Les Trois Mains' by J.P.Rameau and 'Fandango Portugués' by Domenico Scarlatti are just a few examples. The performance itself involves the performers doing multiperson acrobatics with long decorated sticks for the community. Each dance has a rich history and technique. 1" is inspired on the fandango of the regions of Alentejo and Ribatejo of Portugal. Historically, the country’s dances have been accompanied by guitar, tambourine and other percussion instruments.
The 'Fandangos grandes' or Big Fandangos were performed by couples and often started slowly and gradually increased in speed. Each dance has a rich history and technique. // Leaf Group Lifestyle. Dress varies depending on the kind of dance.
Many rural villages have long-established dance rituals and styles.
1–6, M. L. E. Moreau de Saint-Méry: Danse (Paris, 1798), B. Foz: Vida de Pedro Saputo (Zaragoza, 1844/R), E. Calderón: Escenas andaluzas (Madrid, 1847), E. Ocón y Rivas: Cantos españoles (Málaga, 1874, 2/1906), M. de Larramendi: Corografía o descripción general de la muy noble y muy real Provincia de Guipúzcoa (Barcelona, 1882), J. Ribera y Tarragó: La música de la jota aragonesa: ensayo histórico (Madrid, 1928), M. N. Hamilton: Music in Eighteenth-Century Spain (Urbana, IL, 1937), P. Nettl: The Story of Dance Music (New York, 1947), B. Pottier: ‘A propos de fandango’, Les langues néo-latines, xlii (1947), 22–5, J. Crivillé i Bargalló: El folklore musical (Madrid, 1983), M. R. Alvarez Martínez: ‘Dos obras inéditas de Domenico Scarlatti’, RdMc, viii (1985), 51–6, E. Osorio Bolio de Saldívar: ‘El códice Saldívar: una nueva fuente de música para guitarra’, España en la música de occidente: Salamanca 1985, 87–91, R. Puyana: ‘Influencias ibéricas y aspectos por investigar en la obra para clave de Domenico Scarlatti’, ibid., 39–49, J. Blas Vega: ‘Fandango’, Diccionario enciclopédico ilustrado del flamenco (Madrid, 1988), 284–5, J. Etzion: ‘The Spanish Fandango from Eighteenth-Century “Lasciviousness” to Nineteenth-Century Exoticism’, AnM, xlviii (1993), 229–50, J.-M. Sellen: ‘Langage du fandango: de la poétique musicale au sens poétique du cante jondo’, AnM, 1 (1995), 245–70, This page was last edited on 15 September 2020, at 18:43. Fandango is a lively couples dance originating from Portugal and Spain, usually in triple metre, traditionally accompanied by guitars, castanets, or hand-clapping ("palmas" in Spanish). As local musicians perform the Son Jarocho music, people dance "zapateado" atop a large wooden platform known as a Tarima. Fandango is a lively couples dance originating from Portugal and Spain, usually in triple metre, traditionally accompanied by guitars, castanets, or hand-clapping ("palmas" in Spanish). The fandango's first sighting in a theatrical work was in Francisco de Leefadeal's entremés "El novio de la aldeana" staged in Seville, ca. Sung fandango usually follows the structure of "cante" that consist of four or five octosyllabic verses (coplas) or musical phrases (tercios).
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