Nicks began performing "Stand Back" with Fleetwood Mac on the band's 1987 tour. There were two mixes made of the song; the generally more well-known album version (4:48) and the edited single version (4:18).
Take me home [Verse 2] It was released as the lead single from the album in May 1983 and went to number five on the Billboard Hot 100 and number two on the Top Mainstream Rock Tracks chart in August of that year. Stand back, stand back Then, she says, "he just got up and left as if the whole thing happened in a dream. No man came
"Stand Back" is a song by American singer-songwriter Stevie Nicks from her second solo studio album The Wild Heart (1983).
Stand back, stand back She wrote it on the day of her marriage to Kim Anderson on January 29, 1983. [Breakdown] Doo-doo, doo-doo Why don't you take me home? "Stand Back" is a song by American singer-songwriter Stevie Nicks from her second solo studio album The Wild Heart (1983).
[7] This version can now be found (with Nicks commentary) on the DVD supplement of her 2007 collection Crystal Visions – The Very Best of Stevie Nicks.
It's alright, it's alright Well, I need a little sympathy [Outro] Well, you could be standing in (Stand back)
Take me home (Stand back) For other uses, see, CS1 maint: BOT: original-url status unknown (, Crystal Visions – The Very Best of Stevie Nicks, ACE Title Search for Stand Back by Stevie Nicks, "Stevie Nicks Wants To Work With Timbaland, Opens Up About Collaborating With Prince", http://www.spotontrack.com/track/stand-back/1957167, http://www.musicnotes.com/sheetmusic/mtd.asp?ppn=MN0081593, "Stevie Nicks 'Saturday Night Live' 1983", "CASH BOX Top 100 Singles – Week ending August 27, 1983", Crystal Visions – The Very Best of Stevie Nicks. Acoustic drums were given a more backseat role on "Stand Back".
To be standing in a line
[Verse 1] One man did not call
Nicks has often told the story of how she wrote the song. La la la la la
So, I walked on down, away from you "[2][3][4] The main intro of the song features an Oberheim OB-Xa synthesizer. Upon seeing the completed video, Nicks rejected it as, according to Grant, she felt she looked fat. The first, which was never aired and is referred to as the "Scarlett Version", was a lavish production directed by Brian Grant and features Nicks in a Gone with the Wind type scenario. Later, when Nicks went into the studio to record the song, she called Prince and told him the story of how she wrote the song to his melody. On the Rock a Little tour, the Oberheim is replaced with a Yamaha DX7.
They stopped and got a tape recorder and she recorded the demo in the honeymoon suite that night. Won't you take me home? There is a further 'polished' version of the track, with crisper percussion and louder foreground synth, featured on Nicks' 1991 compilation album Timespace: The Best of Stevie Nicks, remixed by Chris Lord-Alge and running at 4:59. Nicks started humming along to the melody, especially inspired by the lush synthesizers of the song, and "Stand Back" was born. First he took my hand It's alright, it's alright
Like a willow, I can bend He listened again, and I said, ‘Do you hate it?’ He said, ‘No,’ and walked over to the synthesizers that were set up, was absolutely brilliant for about twenty five minutes, and then left. In the United Kingdom, the single was given Nicks' first 12" release, featuring a different glossy picture sleeve and the inclusion of a third track, "Wild Heart". The most recent live performance of the song in Nicks' solo shows is captured in the 2009 CD release The Soundstage Sessions, where Nicks chose the track as the opening number to her show, rather than placing it towards the climactic end of the setlist as per previous tours. The song has been a staple in Nicks' live shows since its pre-album debut at the 1983 US Festival, and it has also been included in Fleetwood Mac tour set lists since 1987. La la Well, you could be standing in (Stand back) Since then, the song has been performed on every Fleetwood Mac tour (with the exception of the On with the Show Tour) Nicks has been a part of, including the Behind the Mask tour in 1990, The Dance reunion tour in 1997, the Say You Will tour in 2003 (it is featured in the 2004 CD/DVD set Fleetwood Mac: Live in Boston), the 2009 Unleashed Tour, as well as the band's 2013 world tour. Well, you could be standing in (Stand back)
Maybe your attention was more than you could do Jillian O’ Dowd also recorded a cover on their covers album Liberties (2013). A 12" promotional single was also released to United States radio stations in 1983, featuring a full-colour sleeve, but playing the standard album version (in mono and stereo) on both sides. "I hung up, and he came over within the hour. He was so uncanny, so wild, he spoiled me for every band I’ve ever had because nobody can exactly re-create—not even with two piano players—what Prince did all by his little self. It's alright, it's alright She wrote the first draft of the melody based on “Little Red Corvette,” and then called Prince on the phone: I phoned Prince out of the blue, hummed a melody, and he listened,“ says Nicks of the latter hit’s gestation. It is included on the Fleetwood Mac live concert video Tango in the Night (recorded in December 1987) and a (slightly extended) audio version from the same show is included in the 4-disc boxed set 25 Years – The Chain.
To be standing in a line Two videos were filmed for the single. Maybe your attention was more than I could do
Well, you could be standing in (Stand back)
La la la la la la la la la The cover was a moderate club hit. To be standing in a line (Standing in a line) La la la la
[Post-Chorus]
In the middle of my room, I did not hear from you Why don't you take me home? I would cry [Chorus] I would cry Do not turn away my friend It was released as the lead single from the album in May 1983 and went to number five on the Billboard Hot 100 and number two on the Top Mainstream Rock Tracks chart in August of that year.
Just an invitation would have been just fine He and Nicks did agree however to split the publishing royalties on the song 50-50. The song was remixed and released again as a single on August 28, 2007 to promote Nicks' compilation album Crystal Visions – The Very Best of Stevie Nicks. The words are all Stevie’s, but she credits the melody to Prince.
I would cry The newlyweds were driving up to San Ysidro Ranch in Santa Barbara when Prince's song "Little Red Corvette" came on the radio. This article is about the Stevie Nicks song. The song follows a chord progression of A/G – G – D/A – A – D/A – G/B – Bm – A/B – B/D – G, and Nicks’ vocals span from A3 to B4.[5][6]. To be standing in a line (Standing in a line) La la Need a little, need a little sympathy
Well, I need a little sympathy (Cry) La la la la la, wo-ah In 2003, Scottish DJ Linus Loves released a cover of "Stand Back" with vocals by Sam Obernik. In the middle of my room, I did not hear from you
No one looked as I walked by One man did not call
The song has been a staple in Nicks' live shows since its pre-album debut at the 1983 US Festival, and it has also been included in Fleetwood Mac tour set lists since 1987.
He came to the studio that night and played synthesizers on it, although his contribution is uncredited on the album. Said no to him again and again
https://en.wikipedia.org/w/index.php?title=Stand_Back&oldid=981847435, CS1 maint: BOT: original-url status unknown, Pages using infobox song with unknown parameters, Creative Commons Attribution-ShareAlike License, This page was last edited on 4 October 2020, at 19:18. Directed by choreographer Jeffrey Hornaday, it shows Nicks performing the song behind a microphone in a spotlight-filled room surrounded by glass walls and mirrors, interspersed with shots of choreographed dance sequences. Should Auld Aquentice Be Forgot, Sky Ferreira and Rod Stewart also performed live cover versions. He asked me for my love, and that was all As an alternative, a second video was made on a much lower budget than the original. La la la la la la la la la Differences between the two are somewhat subtle, but the single version tends to have more of a "collapsed" or "mono" sound to it and the electronic drum programs are mixed, rather dry and flattened, especially in the song's intro bars; whereas the drum tracks on the album version are accentuated by a generous amount of reverb effect and harder compression. In the middle of my room, I did not hear from you
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