The Revealing Science Of God (Dance Of The Dawn) 20:18 3:06 2. GD – It’s got very very tight as time has gone on – people always used to criticize YES saying they never rehearse enough, but I think we did enough to make sure everyone was at the same place. TD – Let’s talk about Drama, the first time around and the circumstances around you joining – I remember as a 16 year old hearing Tommy Vance’s announcement on the Friday Rock Show (UK radio show) GD – Yes I used to go there sometimes, and the cricket at Headingley. The Revealing Science Of God (Dance Of The Dawn) 20:18 The Ancient 18:34 4d. GD – I think we’re just, you know, we let them get on with it really…I don’t think there’s any……we just wish them luck. Up until that point, we’d really just been providing them with some ideas because we had the same manager. GD – That’s interesting to some fans, stuff they hid from the final mix originally. More information soon. To coincide with Roger Dean’s current ‘Islands And Bridges’ Exhibition at the Manx Museum in Douglas, a series of six stamps has been created for the Isle of Man Post Office. TD – An old ground, apart from the East Stand – does Martin still have his season ticket and box there? 2016 full album mix, plus an extended Dance of the Dawn and 5 single edits, all mixed by Steven Wilson. Vocalist Jon Davison effortlessly handles ‘The Revealing Science Of God’. Leaves of Green https://www.discogs.com/Yes-Tales-From-Topographic-Oceans/release/8535940, https://www.discogs.com/Yes-Tales-From-Topographic-Oceans/release/7697157, Buy Vinyl, Matrix / Runout (Run-out area A-side, Machine stamped (variant 1)): K 80001 A3, Matrix / Runout (Run-out area B-side, Machine stamped (variant 1)): K 80001 B1, Matrix / Runout (Run-out area C-side, Machine stamped (variant 1)): K 80001 C3, Matrix / Runout (Run-out area D-side, Machine stamped (variant 1)): K 80001 D3, Matrix / Runout (Run-out area A-side, Machine stamped (variant 2)): K 80001 A1 2C V, Matrix / Runout (Run-out area B-side, Machine stamped (variant 2)): K 80001 B3 C V, Matrix / Runout (Run-out area C-side, Machine stamped (variant 2)): K 80001 C3 1C V, Matrix / Runout (Run-out area D-side, Machine stamped (variant 2)): K 80001 D3 D 1 C, Matrix / Runout (Run-out area A-side, Machine stamped (variant 3)): K 80001 A2, Matrix / Runout (Run-out area B-side, Machine stamped (variant 3)): K 80001 B2, Matrix / Runout (Run-out area C-side, Machine stamped (variant 3)): K 80001 C1, Matrix / Runout (Run-out area D-side, Machine stamped (variant 3)): K 80001 D3, Matrix / Runout (Run-out area A-side, Machine stamped (variant 4)): K 80001 A2, Matrix / Runout (Run-out area B-side, Machine stamped (variant 4)): K 80001 B2, Matrix / Runout (Run-out area C-side, Machine stamped (variant 4)): K 80001 C2, Matrix / Runout (Run-out area D-side, Machine stamped (variant 4)): K 80001 D3, Matrix / Runout (Run-out area A-side, Machine Stamped (variant 5)): K 80001 A1, Matrix / Runout (Run-out area B-side, Machine Stamped (variant 5)): K 80001 B2, Matrix / Runout (Run-out area C-side, Machine Stamped (variant 5)): K 80001 C1, Matrix / Runout (Run-out area D-side, Machine Stamped (variant 5)): K 80001 D2. GD – Yes he shares it with a guy that runs that firm ShowCo, Mark Harding – a big Leeds fan, and a couple of other guys from the music business. And also the musical climate was changing, you know obviously MTV was out, starting to affect people’s perception – it wasn’t just the rock radio stations calling the shots anymore. TD – That’s the same with Going For The One GD – Yes, so there’s nothing you can do unless you locate the multi-tracks…. (I interviewed Geoff Downes before the show which can be found here). GD – No, no – and again, both albums that we’re doing were quite controversial. Anything that’s going out promoting the music of YES is good for everybody. There's not much we can do about this right now; you'll have to turn off your VPN in order to continue using the site. They’d had a disastrous attempt at an album in Paris with Roy Thomas Baker producing, which never really saw the light of day although I think some of the tracks that Steve, Alan and Chris were rehearsing at the time were parts of those reworked ideas. For those who continue to be put off by four twenty minute pieces of music, there are five ‘single edits’ – sections chosen by Steven Wilson to highlight the strength of the song writing on the album. TD – I know you keep half an eye on what’s being said online – at Yesfans.com. GD – I don’t know….if that would, I don’t know….there’s a lot of talk about the Rock n’ Roll Hall Of Fame, which members of the band would be inducted if YES ever got in there…I don’t know, I don’t really concern myself with those kind of things. It’s really only the last 5 or 6 years where a lot of reissues have come out – King Crimson deluxe editions – that’s really helped to revitalize the catalogs of the Prog rock bands. 8. The Remembering (High In The Memory) 20:32 The Ancient (Giants Under The Sun) 18:41 Review and pictures by Tim Darbyshire……. TD – Didn’t you find that quite strange? This Yes tshirt spotlights the album cover artwork from Tales from Topographic Oceans. Chris Squire and debutant drummer Alan White knuckled down, but Rick Wakeman left the band after never really embracing the wide-ranging themes of the album and the direction the music was taking the band. • £1.24 – Green Parrot Island – from Yes – The Studio Albums 1969-1987 box set. 4. The Remembering (High In The Memory) 20:32 GD – I like to listen to the albums the way they were originally recorded. GD – Oh yes, that was after we’d agreed to do the album. The Revealing Science of God That album never really surfaced as a real possibility to be played. TD – So he could play it from the off? If you don't think that you've GD – Probably in my own mind I think it’d be more suitable if I get a basic idea of what something is for, like when I work with Chris Braide (DBA) or I just bag some ideas up that I think relate to that project, same with John Wetton you know. 5. GD – Yes, so there’s nothing you can do unless you locate the multi-tracks…. 6:42 Pre-show at The Egg in Albany, I sat down with YES keyboard genius Geoff Downes to discuss the current tour, Drama in 1980 and the future for YES……. I think he feels that he’s letting the side down in some way, but I tell him, no, you just get well. GD – Yes, obviously because of Chris, it was tough, it took us all by surprise we were pretty shocked because we all thought he would pull through. 4. With YES reaching the halfway stage of their 2016 US Drama/Tales 1 & 4 Tour, we headed south again into upper New York State, to The Egg (Performing Arts Center) in Albany to find the band still on top of its game …………review and photos by Tim Darbyshire. Relayer is up there as a possibility. TD – I was a Roundhay boy • £1.24 – Green Parrot Island – from Yes – The Studio Albums 1969-1987 box set. TD – Live it seems it goes so fast (the Drama album) GD – Yes, it’s not easy for anybody you know, as I say, YES music is pretty demanding, not just musically but physically as well, especially for a drummer, which is probably one of the reasons why in Alan’s case unless he thought he was in tip-top shape physically he felt he might be doing a disservice – but he’s getting better and hopefully he’ll be fully fit by the time we get to the West Coast, or certainly by the time we go to Japan. The Revealing Science of God 20:27 2d. Stick with it and it will reveal its many wonders! Actually, the group probably did a bit of both across 80 minutes of music on a fully packed double-LP set. GD – Yes, we’ve actually discussed doing that at some point because we were going to do that on the Cruise, but it never happened, so we did Soon instead. Chris and Alan were working with Jimmy Page……. Greatest Album Covers Rock Album Covers Classic Album Covers Lps Lp Cover Cover Art Lp Vinyl Vinyl Records Rock And Roll. Our automated banning policies are not perfect and sometimes too strict, and some IP addresses are banned by accident. Forty three years after its original release, the controversially divisive ‘Tales From Topographic Oceans’ has just been released by Panegyric in two different deluxe formats. Dance Of The Dawn (extended version of The Revealing Science of God) 22:36, Vinyl transfers (24bit/96khz): Ritual (Nous Sommes Du Soleil) 21:44 GD – But for me it was very interesting to look at Tales, because that’s really a kind of holy grail type album for a lot of YES fans, the real dedicated fans are really into that album. As part of Artpark’s $12 open-air Tuesday night series, YES returned to Lewiston after an absence of 4 years with a brave set of 1980’s ‘Drama’ album in its entirety and half of 1973’s controversial ‘Tales From Topographic Oceans’, interspersed with classic YES staples ‘I’ve Seen All Good People’, ‘Siberian Khatru’, ‘And You And I’, ‘Roundabout’ and ‘Starship Trooper’. The rock on the left hand side is at Avebury and continually pops up in magazines. GD – Yes, you have to be sitting there – which is maybe how some people like listening to music with the sensory surroundings, but if people are just listening to music as a general thing or as background or while having dinner….it’s a bit pointless you know because you really have to be a hi-fi specialist to be sitting there in the sweet spot. Ritual 21:25 Although Roger Dean had created sleeves for a number of other bands during the late sixties, it was his collaborations with Yes which brought his other-worldly designs to the fore and became a crucial element in the packaging of that band’s early seventies releases. TD – OK, so was it always going to be a life in music for you? They converge in the posh part, and have a bite to eat. 2. Tales From Topographic (Oceans) was controversial because of the way the music was presented on the album and I suppose Drama was controversial due to the fact that Trevor Horn and myself joined the band – and took YES in a …I would say more of a kind of …not a rock direction, but it was more of a kind of hard hitting edge and not so many dreamy sections and all that sort of stuff. 5:25 High the Memory (studio run-through) 20:36 GD – Yes that’s right, 10 till 12 and that was his breaking news that night, and I remember thinking oh yeah I guess it is pretty strange you know…. 1:45 This was the place where Yes either fulfilled all of the promise shown on their previous five albums or slid off the rails in a fit of artistic hubris, especially on the part of lead singer Jon Anderson and guitarist Steve Howe, who dominated the composition credits here.
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