He cast old pal Paddy Considine, who had been gripping as a volatile loner in ‘A Room for Romeo Brass’, and went for the jugular with this tale of a man who seeks and dishes out violence in revenge for something terrible that happened in his family’s past. ‘Kes’ was Loach’s second feature film, and just a few years later he was struggling to make work for cinema at all: proof, perhaps, that honesty isn’t always the best policy. ‘He’s being silly, isn’t he? It’s possibly the film of theirs which touches most poignantly on what it means to live and what it means to be living in England. Period drama? Mostly, though, it’s Davies’s love for cinema that is apparent in every single frame of this beautiful film. And yet, despite these wobbles, ‘Naked’ is a masterpiece and perhaps Leigh’s best film to date, or at least the one which most appeals to his sceptics.
Young Bud (Leigh McCormack) is his alter ego, and this is a rhapsodic scrapbook of memories from a working-class Liverpool childhood accompanied by dispatches from the wireless, popular songs and rousing classical standards. And is there too much running around in that otherwise barbed consumerist satire, ‘The Man in the White Suit’?
TH, Director Roman Polanski Cast Catherine Deneuve, Yvonne Furneaux, Emeric Pressburger, Karel Reisz, Joseph Losey, Stanley Kubrick… This list isn’t short of writers and directors who brought an outsider’s sensibility to British cinema. Entitled 'Land', 'Sea' and 'Air', they offered three pulse-ratcheting perspectives on the British desperate retreat from France in 1940.
They do things differently there’: one of two Joseph Losey-Harold Pinter collaborations to feature in our poll (the other is ‘The Servant’) is this radiant and evocative adaptation of LP Hartley’s tale of thwarted love and class prejudice set against the halcyon British summer of 1900. The British nominations were led by The Theory of Everything, The Grand Budapest Hotel, The Imitation Game and Selma, with The Grand Budapest Hotel going on to win large numbers of technical awards, whilst Eddie Redmayne and Julianne Moore won multiple best leading actor and leading actress awards for The Theory of Everything and Still Alice respectively. True, there’s the odd awkward moment, and the depiction of women leaves something to be desired. The centrepiece scene remains the staggering, emotionally draining wrestling match between avuncular old-timer Gregorius and new-fangled masked avenger The Strangler, arguably the most punishing fight ever committed to celluloid, five unforgiving minutes of sweat, muscle and dogged determination. A transgressive explosion of colour, exoticism, modernity and impetuous sex, James Bond’s first mission sees the imperious Sean Connery saunter through an overripe cocktail of Caribbean intrigue abetted by Jack ‘Hawaii Five-O’ Lord as his shifty CIA opposite number Felix Leiter and Ursula Andress as racy cockler, Honey Ryder, all of whom are variously hot under the collar for the bionic hide of Dr Julius No – major player in the Spectre spy organisation we shall become all-too familiar with in further instalments. Cinematic psychogeography, you might call it, but that’s a bit, well, pompous for a film that is endlessly self-mocking, witty and perceptive. It was his encroaching blindness, much referred to in the voiceover read by several actors, which gave Jarman the idea to apply words to an unchanging, blue screen for 76 minutes. Yet, his film has a more cynical edge than only being about the sensations of a city. DJ, Director Lindsay Anderson Cast Malcolm McDowell, David Wood, Richard Warwick, A portrait of life in an English, male boarding school may sound niche and conservative, but Lindsay Anderson’s second feature after ‘This Sporting Life’ was one of the most radical British films of the 1960s – and the first of three films from that decade to enter our top ten. TH, Director Peter WatkinsCast George McBean, Alan Pope, the people of Inverness, Produced as a softer option after the BBC thought his blunt atomic-age satire ‘The War Game’ too harrowing by half, Peter Watkins’s remarkable reproduction of the 1746 Battle of Culloden stands up as a true one-off of both TV and cinema. ‘God’s Own Country’ is more of a quiet love story that avoids melodrama for internal struggles with isolation, loneliness and the stark circumstances of hard rural lives. Plus, its ultra-seedy depiction of Soho nightlife is the sort of thing you might find nowadays in a Gaspar Noé movie. But what is it about this particular film that springs mostly to mind when composing, from memory alone, one’s favourite list of British productions? Is escapism a creative act, or an indulgence? And what’s more, it’s the only film in this list to open with the word ‘fuck!’ DA, Buy, rent or watch ‘Four Weddings and a Funeral’, Director Alexander Mackendrick Cast Alec Guinness, Joan Greenwood, Cecil ParkerThe price of progress Of all the top-rank Ealing comedies, ‘The Man in the White Suit’ is the one which least deserves the tag, partly because it’s not meant to be funny, and partly because it diverges so much from the Ealing template: it’s not set in London, it doesn’t feature wisecracking criminals, plodding bobbies or apple-cheeked tykes, and it eschews good-natured patriotism in favour of a rather cold, even misanthropic view of class-obsessed workers and short-sighted bosses. DC, Buy, rent or watch ‘The Long Good Friday’, Director Alfred HitchcockCast Anny Ondra, Sara Allgood, John LongdenWhich film do you want? So it’s upon Cavalcanti’s closing tale that the film’s reputation rests: the story of a disturbed ventriloquist – or a possessed dummy – has been done so often that one might expect the thrill to have gone. From Rhea Chakraborty to Salman Khan and Sanjay Dutt, Bollywood... Sushant Singh Rajput dated Kriti Sanon, confirms common friend, Secret Society Of Second Born Royals Review, Terms of Use and Grievance Redressal Policy. For ‘Fires Were Started’, he filmed firemen in London’s East End but devised characters for them and showed them during both the peace of day and the struggle of fighting a major fire in the docks at night. TH, Director Mike Newell Cast Hugh Grant, Andie MacDowell, Kristin Scott Thomas The film that set Hugh Grant on the road towards ‘Notting Hill’ and a varied career as Britain’s jester of romcom. Your email address will not be published. This article lists feature-length British films and full-length documentaries that have had their premieres in 2016 and were at least partly made by Great Britain or the United Kingdom.It does not feature short films, medium-length films, made-for-TV films, pornographic films, … Dismissed on release as incoherent and indulgent (LA Times critic Richard Schickel described it as ‘the most worthless film I have seen’), ‘Performance’ has grown in stature and influence, culminating in its top ten appearance here, a leap of 41 places since the BFI’s similar list in 1999. Quite dazzling. Based on the first novel by ‘Angry Young Man’ author Alan Sillitoe, (who also wrote ‘The Loneliness of the Long Distance Runner’), the film gave Albert Finney his big break as the hard-drinking, hard-smoking and hard-loving Arthur Seaton, a nihilistic machine worker in Nottingham who habitually funnels his modest wage packet on pleasures of the flesh. And yet, of all the films in the higher echelons of this list, it might be the most flawed and difficult. Did you know Karan Johar approached Chandrachur Singh for Salman Khan's role in 'Kuch Kuch Hota Hai'? DA, Director Karel Reisz Cast Albert Finney, Rachel Roberts, Shirley Anne Field, Forging the template for films about swarthy, unreconstructed men whose only solace can be found in the bottom of a pint glass, Karel Reisz’s raucous and relevant 1960 character study showed the lengths that the young, disenfranchised working-class stiff would go to shirk the responsibilities of adulthood. The Docklands as the future!
Is Miss Giddens mad? It marks the debut screen appearance of Paddy Considine, and though it’s easy (and probably appropriate) to refer to him as our De Niro, it took Bob five years to get to Johnny Boy, while Paddy knocked it flat first time in the ring. Plus, is this the greatest opening five minutes ever? While both films feature the farming of sheep and two men who, while camping in the hinterland, share an intense sexual and romantic bond, the similarities end there. This fiercely literate and independent Liverpudlian spent the first 16 years of his career, with three shorts, and then two feature films, ‘Distant Voices, Still Lives’ and ‘The Long Day Closes’ (1992), finding different, personal and poetic ways of making sense of his recollections of his childhood in a post-war, working-class Liverpool home. But none of this matters one jot: an absurd and very loose conjoining of the Arthurian and Holy Grail legends, the film remains one of the Pythons’ most memorable piss-takes. We reckon that Harry Styles guy has a future. Guinness is otherwise in fine form as a captured British colonel overseeing Allied troops charged with assisting the Japanese war effort by building said bridge across said river. TH, Buy, rent or watch ‘2001: A Space Odyssey’, Director Derek Jarman Cast Nigel Terry, Sean Bean, Tilda Swinton, The late Derek Jarman took the same anachronistic liberties in depicting the life of his subject – Italian, seventeenth-century painter Caravaggio – as the painter himself did with his subjects. What’s even more interesting is that Watkins chooses to trace the legacy of the battle, patiently observing as the English army wade across the Highlands slaughtering women and children in the name of communal cleansing and retaining the authority of the British monarchy. And so ‘Kes’ remains devastating, the peak of British realism and one of the most heartbreaking works in all of cinema. The zombie segments, while tense, violent and gruesome, are a sideshow to the story’s main thrust: our predisposition towards outright selfishness and savagery when even our most basic of needs are whipped from beneath our feet. DJ, Director Chris Petit Cast David Beames, Lisa Kreuzer, Sandy Ratcliff, Few British feature film debuts come as distinctive – or as quietly influential – as former Time Out Film editor Chris Petit’s Europhile mission statement. But after a bungled break-in where he is abandoned by his band of cock-nosed droogs, he is packed off to a hospital to be ‘cured’. We use cookies to ensure that we give you the best experience on our website.
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