I am imagining charlotte and mr. Stringer in time to come. So please, not a second series or a Christmas special just let Sanditon end now while Charlotte still has her dignity and self respect. I found it hard to get attached to Tom at all he only wanted personal glory and had no thought for anyone else. So for once we slip into the ease and comfort of a Sunday night period drama knowing precisely where the author’s words end and the adaptor’s imagination takes flight. Was he in debt also? There has to be a second series. Sanditon viewers have been left to wonder the fate of one character after a shocking twist in the most recent episode.. Tom should have paid for his mistakes himself instead of expecting everyone else to forgive him. The series built up each week giving plenty of scope for the actors to find their feet. The series built up each week giving plenty of scope for the actors to find their feet. Even if it was intended all along to subvert expectations by not giving audiences the happily ever after of all of Austen’s other romances, it would have at least been better had the decision been Charlotte’s own; instead, the series took away all of her agency to further a man’s financial and business prospects – and if ever there was a benefit to continuing a 200-year-old story in 2019, surely it would be in allowing the female lead to at least make her own romantic decisions. In fact, most of the storylines unfolding at Denham house were deliciously soapy to watch, with their scheming and sniping over future inheritances and Lady Denham’s (Anne Reid) consistent and cutting commentary providing a darkly enjoyable alternative to the more by-the-numbers plots playing out elsewhere. In fact, most of the storylines unfolding at Denham house were deliciously soapy to watch, with their scheming and sniping over future inheritances and Lady Denham’s (Anne Reid) consistent and cutting commentary providing a darkly enjoyable alternative to the more by-the-numbers plots playing out elsewhere. On reflection, it is testament to how well it was done that everyone who watched was so devastated by the ending. Indeed the whole Parker family seemed to be OK with that. We urge you to turn off your ad blocker for The Telegraph website so that you can continue to access our quality content in the future.
Last modified on Thu 3 Oct 2019 11.54 BST.
Which really wasn’t what one would expect from the portrayal thus-far of our thoroughly modern heroine who, living with eleven brothers and sisters, might have been far more likely to respond with a derogatory snigger and a pinch of her forefinger and thumb (wink-wink, nudge-nudge).
So many loose ends.
had a lot of promise but episode eight managed to undo a lot of the good work of the previous episodes and ensured that the series didn’t actually achieve much of anything. MUST be a 2nd series (at the very least) as Otis and Arthur’s sissie sister (did she actually have a name?) This – the one most of us haven’t read, and which has never before been adapted for the screen – is the fragment Austen abandoned unfinished in March 1817. It wouldn’t have been any less Austen than the rest of the episode. Even if it was intended all along to subvert expectations by not giving audiences the happily ever after of all of Austen’s other romances, it would have at least been better had the decision been Charlotte’s own; instead, the series took away all of her agency to further a man’s financial and business prospects – and if ever there was a benefit to continuing a 200-year-old story in 2019, surely it would be in allowing the female lead to at least make her own romantic decisions. This is what’s required for a group of people who would never otherwise meet to be thrown together.
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